NEW!! Another great review just went on line:
"A fabulous interconnect turns out to be shockingly affordable"
Wow. Fabulous?!?
Hey, I'm not complaining.
Just hit the link on the menu and read the rave. (And I'm not even advertising there!)

On Cable Break-in
I've been asked about cable break-in for Stager Silver Solids interconnects on several occasions.
I've gotten several different answers for that question from different users.
A few, whose comments I posted, found that no break in was necessary.
The cable should sound fine from minute one. Improvements, if any, are generally very subtle.
However, I did get this email from a customer who had a different experience:
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Well, what an experience. I plugged them into my (very, very) modest computer system, having previously used a crappy pair of IC's I had hanging around, and immediately noticed a difference.
For the worse.
This is what people lauded?? Sounded like an anemic duckling getting run over by a bus...thin, brittle, bassless...what were people thinking??
Seeing them, I didn't think any break-in would be necessary...especially on my "system," (I use that term bashfully). But what the hey. I left them on, squawking away in their death throes.
Next day, I said "hmmm...better." Still no body, but plenty of bloom, and the treble portion was good. Very good. So on they went.
Second day, after about 60 hours, I thought..."gees, are these the same IC's?"
Third day, after about 80 hours, I thought "please don't change any more...you're perfect!!" Plenty of body, low noise floor, presence, palpability...you name it. Instead of a "bonk," I hear fingers hitting the wood of the guitar. In short, I am hearing the master tape. Poorly recorded CDs sound like crap, as they should.
Well recorded CDs sound sublime, as they should.
And for the umpteenth time, NO they are not "bright." They are correct, spot on, perfect.
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On Shielding
Twisted wire has a self shielding property. Steve Lampen at Belden Wire has been saying for a very long time that a shield is not necessary for digital and line level analog audio as long as the wires are tightly twisted. Not having a shield does not pass noise as long as the cable is kept a few inches away from power cables or crossed at about a 90 angle if necessary for minimal exposure.
But not having a shield does give the cable a lower capacitance, resulting in greater transparency, detail, and high-frequency extension.
One customer,  whose remarks I posted in the users' comments page, has a nice mobile system in his pickup truck. He wanted to use my cables but I told him that, being unshielded cables, they night be vulnerable to ignition noise. Turns out they worked just fine and he was extremely pleased with them.
If Stager Silver Solids are intended to be used between your phono cartridge and phono stage, they may work fine - or, due to the high gain of the phono preamp stage, they might be noisy. Generally, for this part of the system, a shielded cable is preferable. Also, running a relatively heavy wire for the ground link is advisable, as it offers a path of lower resistance (than the interconnect) to the ground terminal at the preamp and will also reduce noise. I can make a shielded cable for this purpose on special order. There is a photo of just such a cable I made for an SME tone arm on the specs page.